Features two 18” transducers with 4” inside/outside voice coils, designed to deliver a strong low frequency response. This direct radiating, high output, large-format subwoofer system is designed to compliment full-range loudspeakers. Driver mounting maximizes cone area and minimizes frontal area, providing acoustical performance and physical configuration well suited for creating large subwoofer arrays.
Quantity of dual subwoofer depends on package purchased.
The rigging of these fixtures depends on your package. If no trussing exists, it is likely rigged to crank stands; otherwise, we rig it to a crossbar held up by trussing – a commonly desired appearance. If a high level package with horizontal trussing, we’re likely rigging it on horizontal truss for a very professional setup.
From the Manufacturer:
Intense 240 W LED light engine for punchy, bold beams with two color wheels with 7 colors, split color ability, and continuous variable speed scrolling, two gobo wheels, rotating, interchangeable, indexing, continuously and variably scrollable Iris, 3-facet prism, and frost for beam control. Beautiful 16-bit LED dimming for ultimate fade control.
A true active and high power ready to use touring system equipped with a high efficiency digital amplifier that delivers superior SPL reducing energy requirement. The integrated processing and the cabling reduction will make the set-up faster and easier and, thanks to its compact size, the truck space requirement is reduced to the minimum.
Every rooms/space is different – walls have different reflections, floors can be carpet hardwood or grass, rooms can have obstacles (pillars, wall separators), events can be indoors or outdoors. No matter what, using our Room Balancing System that includes Smaart software, RTA sound measurement microphones, and a signal processor, we balance the room so you have the perfect balance between low, mid, and highs, reverb, and other tricks for the perfect sound.
We only provide this service for our line array systems or when speakers are separated and require delay. Please note, we need ample time to properly balance a room so don’t be surprised if our setup duration is quite long.
We purposely the mention the brand Shure because they make one of the most reliable wireless microphone systems that exist in the world, not to mention their quality. Your package will declare the quantity of microphones, type of microphone (handheld, lavalier, headset, RTA), and the microphone system itself. If you have multiple microphones, we may bump you up to an antenna distributor with L/R paddles. for tour-grade directional connections.
That said, once all guests are present in the space, we test the wireless signal in the room for possible interference and adjust the frequency of the system accordingly. In some skyscrapers and locations, it is possible that they have a signal blocker or disruptor so it will not be possible or reliable to use our wireless technology. Luckily, we still bring a wired microphone just incase they forget to inform us. Furthermore, some locations have restrictions on the wireless bands so it’s important you get someone professional to work their way around this.
Any professional visual setup requires the use of haze. If you’ve ever seen a play, been to a concert / festival, or participated in a sensory experience (haunted house, Disney ride), you’ve probably experienced this effect, though it’s probably not the part you remember. That’s because this is used to make the visual effects alive rather than provide you with a different ambiance.
Some locations forbid the use of haze / fog, check with your location prior to purchase. It is required for lasers as the beams cannot be seen without it.
What’s better than intelligent lighting / sound active? A professional Lighting Designer (LD). Why? Lighting scenes are not on a loop, the visuals will always go to the music including high energy parts, scenes are built to the location architecture, and more visual value is delivered. Furthermore, if you are looking at a video system, lighting system, laser system, or special effects, an LD combines these system into one control desk for a synchronous visual experience.
The type of control desk may vary depending on your level of production.
The CLIK team is highly trained in power management, balancing loads over several circuits so even if the location has improper power, the show can go on. Power is always tested by CLIK before anything is plugged in so we know what we are dealing with.
However, location power isn’t always reliable. Buildings can have old power circuits, several utilities (refrigerators, vending machines) on a circuit that we have to use, or even have spotty or improper voltage. The last thing you want is a loss of a circuit at your event and a 15 minute recovery time as we boot up our major systems again.
Even with a full loss of power, our recovery time will be seconds because of this battery backup system! Depending on the package, we may be able to temporarily run all systems off of this battery backup system, until power is restored.
LED lighting system, powered by a total of 480*10mm LEDs. Each fixture comes equipped with 120* (R:48 G:36 B:36) LEDs and will remain sound active during dancing. Auto and Sound Active modes feature 18 different built-in programs including a variety of unique 4-pixel chase effects in each of the 4 fixtures, plus static color and strobe effects.
It’s always easier to turn the volume down than up. That is why we include 3,000W of sound even in our lower levels, so no matter what environment you put us in, we can handle it. Furthermore, we typically use RCF (Italian) quality speakers for the best sound you can get – depends on your level of production.
When you have 2x of our dual subwoofers, we will substitute stands for pole mounts for a more professional look. Add our appearance upgrade to get skirting on stands and truss as desired!